He gives us dreams... and steals our souls! (Literally) [watch below video to end, the sandman
, confirming its MK usage.
Note one eye symbolism, fragmented faces/minds and spiral+mask below. Neil GAIMAN helped to create the MCM
based on his book, coming out soon for more MK themes.
[Edit: I have since watched it (Sky Movies seemed to play it every night since I wrote this... synchronicity) and unbelievably (or not) it has literally EVERY single theme I speak of in this post and more.
The actual song (In Dreams, about the Sandman) is based on a
fairy tale by
Hans Christian Andersen who wrote some wonderfully helpful (for Disney and other pedophiles) fairy"tales" such as "The
Snow Queen" (pops up again later in the post, and see
this post with The Snow Queen written behind Paris H), "The
Red Shoes", "The
Little Mermaid" (
Copenhagen statue below, unveiled
23 August ((
8))
1913), "Thumbelina" (below image) and various others (see what they are all about in the Hans wiki page, esp
Red Shoes). Hans was himself probably subjected to Royalties' perverse tendencies, as "the Danish king took a personal interest in Andersen as a youth and paid for his education." and evidence of his dissociation is seen, "He made himself a small toy-theatre and sat at home making clothes for his puppets, and reading all the plays that he could get... he would
memorize entire plays (i.e Shakespeare [
Rosicrucian Francis Bacon]) and recited them using his
wooden dolls as actors."[added + emphasis]
Another mind control symbolic Blue Velvet poster (half face illuminated, interlocking rings/chain, door which is apartment #
710).
As I'm sure you have noted yourself, Lynch chose to call the traumatized woman in this film "
Dorothy", I think for obvious reasons (he knows the significance of Dorothy in Oz programming maybe), Dorothy's mind control is aided by Frank, or perhaps Ben who has her son captive (her husband is killed) who they threaten with death if she does not do what they say, (Similar to how they used Cathy O'Briens daughter in controlling her; Dorothy singing Blue Velvet reminds of mind controlled Karaoke singers). This is also shown by Lynch in
Inland Empire (their real power/empire is in the inland empire, our fragmented minds) which I will do a post on at some point detailing the mind control themes and synchs contained within that film. He shows this in IE by, after Laura Dern (
“I thought of it as playing a broken or dismantled person, with these other people leaking out of her brain,”) is stabbed in the stomach by something that symbolizes masculine dominance, a
screwdriver (screwing has various sexual connotations, as well as corkscrew/spiral, you use it by
spinning it) which she painfully removes and drops on
Dorothy Lamour's Hollywood
pentagram (below)
square.
The woman who stabs her is mind controlled as she tells the guy "
I think I've been hypnotized or somethin..", hypnotized into killing (Dern), in the alter-reality she exists in at least. Inland Empire was a
mesh of mind controlled consciousness from all around the world in my opinion; mind controlled sex slaves in Eastern Europe, to mind controlled wealthy Hollywood movie stars, to mind controlled Hollywood Hookers (and how trauma binds their consciousness together, allowing them to eventually rise up and kill the programmer/hypnotist with
the face when he is shot at the end after Dern sees
door #
47; where the
rabbits lived, shown below, I guess the slaying of the hypnotist and the
opening of the door to the rabbits symbolises the freeing of their minds as all the mind controlled prostitutes are seen running down the
corridor, showing that they have regained access to all compartments of their minds perhaps). One of the Co-Producers of Inland Empire is
Jeremy Alter, and note some of his other work (Son of Mask and others).
SA in the frame 19-1 (9/11 ish, 1+9+1=11, there are 3 of them so 11+11+11=
33), she wakes up in a
trance after
Jeremy Irons (standard archetypal actor, been in loads of stuff including
this MCM that I havn't seen released in 19
88, and a Lolita remake) has said "Cut!" which is put together really well (with the music, Dern's acting and everything) by Lynch.
I surmise that Dorothy Lamour was one such MK victim, aside from having the Wizard of Oz name; the first film that she appeared in was released in 19
33, but her first major role (according to her
official website) was "The
Jungle Princess" in 19
36 and her last film was "
Entertaining the
Troops" released in 19
88. As a
Guardian review puts it, "Something awful happens here on Dorothy Lamour's star", 'something awful' (understatement) has been going on with these Hollywood actresses and actors now for a long long time, which I think Lynch is trying to symbolize with these Dorothy's. And another
good review states, "Again,
Inland Empire advances a principal theme of
Mulholland Dr. by implying male-dominated Hollywood's responsibility for "
creating" and
abusing feminine character, then discarding it after use. At one point, Dern collapses at the Walk of Fame star of Dorothy Lamour—given her name, a good choice to represent the
manufactured personality of the screen actress." I mentioned
Hello Dolly! in my
WALL-E MCM post, she played the title role (
Dolly) in the
stage musical version of it. She also died of a
heart attack, at age
81. In
'Puppetmaster: The Secret Life of J. Edgar Hoover' it is described how he pursued and used her for "romantic engagements", illustrating how these manufactured Hollywood stars are used by high ranking politicians and people in positions of power for sex, but probably have no recollection of it through mind control.
"The Weeping Woman"
MPD high class "illuminati" slaves, who serve at the (perverse)
Pleasure of the President (or whoever, J Edgar Hoover previous example), are by no means limited to Hollywood and are in no way a phenomenon of the modern age. The subjugation of the feminine (which the title image is supposed to symbolise) and women in general throughout history (read the bible) also ties into this as Pablo Picasso had his own "play thing" in Dora Maar (above painting, fragmented face, the
Tate's website describes it in shattering terms, specifically her
eyes), who he describes (and women in general) as: "Dora for me was always the weeping woman... And it's important because
women are suffering machines." This is the kind of attitude that Freemasons and other "illuminati" institutions have, "feminism" is a creation of theirs and is used as an emotional trigger so "feminists" instinctively (soft mind control) support a female candidate or someone propped up in the media as a "feminist" icon when really they are as much apart of the misogynistic system (i.e Hillary Clinton, Thatcher) as George Bush (as an example) which ultimately leads to the kind of abuse suffered by Cathy O'Brien and other victims of state-sanctioned abuse and generally more and more misogyny in society.
The kind of abuse I'm talking about is shown in a TV movie I randomly caught (again, like Eye of the Devil, the symbolic title caught my eye) called
Shattered Trust showing that shattering (anything that shatters/fractures/fragments in movies, like in the above poster) symbolises a shattered mind and probably has a cumulative shattering effect on the viewers' minds/psyches (massive step-up in shattered glass symbolism in movies, go watch The Dark Knight and Wanted). The film is based on a true story, detailed
here (note the emotional trigger effect the typewriter sound has on Shari Karney). It is important and interesting to note that as Shari is being hypnotically regressed (her voice is in the standard child-like alter voice that, as mentioned previously separates from the main personality when the abuse takes place very young) she describes how, "I see my old house in Kover(Clover/Cover/?) City, with my dad's
green car parked at the front of the house. I see the floor with the
black and
white squares.", perhaps symbolizing
Freemasonry's involvement in these
elite child abuse pedophile rings... which the channel I watched it on seems to support as, in the middle of the movie the below advert was shown which had clear mind control/pedophile undertones, called "Little Miss
Pop Girl" for, I quote: "TEENIE WEENIE GIRLS" (
5-
13) including shows such as , "
Madeline" (McCan), "What about
Mimi" (
Mind Controlled Mariah Carey,
butterfly obsessive,
Emancipation of Mimi),
Pippi Longstocking,
Lazy
Lucy, and note the symbolism (as we have just seen Mariah with butterflies and rainbows) a
rainbow and a
butterfly (not to mention all the
pink and
purple) hmm...
But what interested me more than the actual plot of the story (which is interesting in itself) is some of the actors and actresses involved as we have
Windom Earle from
Twin Peaks [massive spoiler warning for Twin Peaks finale] playing a suspicious sounding
judge (more
black robes, seen in occult rituals in Eye of the Devil, Eyes Wide Shut and various others) who is present when Shari attacks a defendant (ultimately leading to her discovery through hypnosis). In
Twin Peaks, Windom Earle (played by
Kenneth Welsh) has escaped from a
mental asylum, and is an
ex-FBI agent and bears many of the hallmarks of a mind controlled serial killer. Twin Peaks focuses a lot on the "
white lodge" and the "
black lodge" (duality, freemasonry, good/evil) which synchs up to the above image from Shattered Trust showing the
freemasonic checkerboard (black/white duality, they practise both good and evil, though the good ((charity work etc., most Freemasons who know nothing of the true sick nature of their higher level brothers)) is just a front for the jet black evil taking place) in the
hallway, Windom Earle is obsessed with
chess, and is a master of disguise (aka alter-personalities) and is a
serial killer so we have more checkerboard/MPD mind control symbolism here. He even has his own mind control symbolic clay to mould in Leo (the lion), who is fitted with an
electro-shocking dog collar.
The very last scene of Twin Peaks has a
shattered mirror/alter personality (BOB, base anger, "evil",
Simon in 'Session 9') "BOB" also inhabits Ray Wise's character who abuses his daughter [Laura Palmer] from age 12, the "illuminati" have been completely consumed by "BOB" over the years.
The actor who plays Windom is
Kenneth Welsh who has been in various MK symbolic shows/movies, in 2005 he played the
King in
BBC's The Snow Queen. The protagonist in
Shattered Trust is played by
Melissa Ellen Gilbert, herself appearing as Gerda in the
Snow Queen in
"Faerie Tale Theatre" (note obvious MK symbolism, rainbow, Labyrinthian sphere, mermaid, butterfly/angel wings). If you click the previous "Faerie Tale Theatre" TV series link you will see that it is made by
Shelley Duvall, who played the wife of Jack in The Shining; and it originally aired on
September 11th in 19
82.
"She must escape a killer trapped in her mind and find the pieces that can make her whole."
So we have Shattered Trust showing shattered mind symbolism, and obviously also in
Shattered Mind (above with it's alter name, "Terror" has a psychological trauma impact, hence the massive psyop that is the War on[of] "
Terror", helps in splitting your mind through the traumatic events/images ((9/11 plains hitting the towers)) connected to "terror", which the word subconsciously triggers) this is symbolised in another shattering film called...
Shattered, a "
Hitchockian Thriller" from 19|91. To confirm that shattered symbolism is used in MCMs (mind control movies) we have one of THE major players in creating MCMs using this all the time,
Christopher Nolan; such as
The Prestige (note one eye symbolic poster),
Momento, and of course
The Dark Knight. In his 20|02 film Insomnia, this symbolism is used subliminally (so effecting the viewing public on a subconscious level, shattered mind effect), this flashes up for a
fraction of a second when Al Pacino goes through in his mind how he managed to shoot his friend (trauma + memory confusion/loss), it is set in Alaska when the
Sun never goes down, symbolizing the use of
constant light (no darkness for sleep deprivation, and losing sense of time) in things like Guantanamo Bay and other Mind Control conditioning sites.
Another film that confirms the MK usage of shattered symbolism (rather than just a psychological motif which is what most people will write it off as) comes in a movie from 2007, also called
Shattered, but it was originally going to be called
Butterfly On A
Wheel, I have not seen the movie so cannot comment on the MK content but I assume there is much, based on the original and the changed title as well as the main catch-phrase (butterfly effect-esque).
Don't really want to draw any conclusions on all this, just keep an open mind that these films may be designed to
shatter your mind (and other psychological/conditioning effects) through using these symbolisms and themes that effect us on a deep psychological level. As well as
triggers put into movies that have been programmed into the minds of victims of government mind control that trigger them into doing whatever they've been programmed to. I have tried to show that these media "
stars" (actors/celebrities/singers) are just occult archetypal tools, whose entire lives are ritualized to the extreme by those that control them (hence Sharon's movies [Eye of the Devil etc.], Orbison's final performance etc.). I'll finish with a Japanese potential MK film combining butterfly symbolism with the purple (red/blue mix subconsciously polarizing colour) as well as the trauma of war.
![[mind]field](http://img60.imageshack.us/img60/2420/vlcsnap2738182oq7.jpg){kind=link}
